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Fashion, food, music intertwine for runway show

April 18, 2012
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Students in Apparel Design for Industry (TXCD 416/816), taught by textiles, clothing and design professor Barbara Trout, begin the process of developing their apparel collections for the biennial department fashion show, “The Power of Fashion.”

Story and photos by Mekita Rivas, NewsNetNebraska

Ever seen a Cornhusker in couture?

Now’s your chance.

The Department of Textiles, Clothing and Design will host “The Power of Fashion,” its seventh biennial fashion show this Friday, April 20 at 8 p.m. in the Nebraska Union’s Centennial Ballroom.

“This year, we’re ramping it up even more,” said Michael James, department chair and Ardis James Professor of Textiles, Clothing and Design. “We think that it’s important to raise the quality level of the show so that it’s brought closer to a fully professional experience.”

Michael James, department chair, said that the magnitude of “The Power of Fashion” was influenced by an elaborate runway show he saw in China two years ago.

Kendra Morgan, a junior apparel design major, has worked with James on a UCARE project involving digitally printed designs on various fabrics. TokenX, the software used to create the designs was developed by Brian Pylik Zillig, associate professor and digital initiatives librarian at UNL libraries.

“I’ve wanted to be an apparel designer since my freshman year of high school,” Morgan said. “The best thing about being a designer is seeing your creations coming to life and moving around on people.”

Inspired by wedding dresses she saw at a bridal show in January, Morgan will also debut a black and white gown on the runway. The gown features extensive ruching and a fishtail cut with an exaggerated train.

“The biggest challenge is creating the proper fit for the design,” Morgan said. “Whether that’s done through darts, pleats or seam lines, there are a lot of ways to control the fit.”

Tickets to “The Power of Fashion” can be purchased on the UNL Marketplace leading up to the day of the event. Arriving early is strongly suggested.

Model behavior

What does it take to be a fashion model?

Poise, style, elegance and, yes, even fierceness are all key attributes of turning Jane Doe into a runway queen.

“I design my garments thinking about how the fabrics will move or how it will fall around the body,” said Kaity Rathman, a senior apparel design major. “So it was important to find people who had a confident and strong walk to really emphasize the garment, rather than slumping over or being so nervous that it took away from the garment.”

Student designers and Trout (third from right) determine which individuals have runway potential as the aspiring models prepare to walk in front of the panel.

Apparel design students, under the supervision of James and other faculty members, held two model calls in March, in search of individuals who could – quite literally – walk the walk.

Although a majority of this year’s models are untrained students, James said he sees potential for modeling workshops to be held in conjunction with future shows.

“Eventually, it would be nice if we could get to the point where we spend part of the semester teaching models and having them do real work in the choreography of the runway,” James said. “The mindset that a model has to take is about being totally within herself or himself without appearing the least bit self-conscious.”

The nights leading up to the show, models will participate in multiple rehearsals to get familiarized with stage directions and the sensation of being watched by a large audience.

“They’ll be on the runway a lot,” James said. “It will give us an opportunity to talk them through what we’re expecting.”

An interdepartmental affair

In 2010, James traveled to China with 30 undergraduate students and six faculty members. There, the group experienced a fashion show the likes of which no one had ever seen.

The show featured the premiere of a collection by a young Chinese designer named Simon Wang.

“While we were in Shanghai, we saw a professional runway show at a big international apparel fair,” James said. “When I saw that, that was the look I wanted, the feel I wanted, and I thought, in order to get this, it’s going to take more than what we can do ourselves.”

And so, for this year’s “The Power of Fashion” event, James and the textiles, clothing and design department reached out to other university departments to contribute their expertise and talents to the show.

Jacht Club, the advertising lab housed within the College of Journalism and Mass Communications, was selected by James to spearhead the show’s publicity and social media presence.

“There are so many departments involved in the fashion show, so it’s essential for us to be current with all events going on campus wide,” said Alison Brady, a Jacht club member and senior advertising and public relations major. “To stay up-to-date, we have been in close contact with students and professors in each department. We constantly visit the design studio, the kitchen for hospitality and restaurant management, the music studio and [attend] club meetings.”

In addition to Jacht Club, those involved in the execution of this year’s runway show include the Department of Hospitality, Restaurant & Tourism Management, the School of Music and the Johnny Carson School of Theater and Film.

“My involvement with this year’s runway show is very intense,” said Gina Causin, assistant professor of nutrition and health sciences. “Our program offers event planning ideas, food and wine services and organization during the runway show. During the actual event implementation, we’ll be making sure that food and beverage service is flawless and that the event will flow smoothly.”

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Designer Abby George models a look by fellow designer Lindsay Ducey. Both will feature collections in the runway show. (Photo courtesy of Jacht Club)

Students in Fayrene Hamouz’s HRTM 373: Catering Management class created entire menus for the pre-show cocktail reception and dinner.

“It gives the opportunity for the catering class students to develop menus and recipes and prepare and serve a banquet,” said Hamouz, associate professor of nutrition and health sciences. “That is something that would not usually be done.”

While catering students will be chopping salads and setting tables, those in the School of Music will be doing sound checks and adjusting bass levels.

“Five of my students are composing music for the show,” said Damon Lee, assistant professor of composition and digital arts in the School of Music. “We offer a custom-made original musical score for the evening.”

Lee and his students will produce beat-based music using music sequencers to serve as a soundtrack for the models as they strut and pose across the runway.

“I’m looking forward to seeing it all come together,” Lee said. “With so many different departments working together, it will be exciting to see how it all works out. I’m sure it will be spectacular.”

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Local musician presents noise as community service

March 15, 2012
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Story by Ross Benes, NewsNetNebraska

Miles McClain of Lincoln loves making noise. His enthusiasm for the noise music genre also led him to host a radio show on local community station KZUM on Fridays from 2-4 a.m. with co-host Chris Seidholz.



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Professor inspires musical talents

February 8, 2012
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Clark Potter- UNL viola instructor


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Curio draws local artists to its doors

December 12, 2011
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Story and Video by Renee Pflughaupt, NewsNetNebraska



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Local bands capitalize on vinyl album boom

December 8, 2011
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Text and Video by Brittany McNeal, NewsNetNebraska

Because of technological advances, libraries of music can now be stored in a device smaller than a deck of cards.

Although digital music has flourished, music sales have declined — except for vinyl.

Clearly, what was old is new again.

As of 2011, alternative and independent artists and labels are the main distributors of vinyl records. Local bands have gotten in on the trend.

Nick Tarlowski (left) and Mikey Elfers (right) of the JV Allstars. (Photo credit: Lucky Stars Photography by Dawn Thorfinnson

Nick Tarlowski, singer/guitarist of the JV Allstars, said his band put out a 7” called “8, 6, 7”, 3, 0, 9” in 2009, and even though vinyl isn’t as popular as digital, it has sold well.

“Vinyl is neat. It’s old school. It also sounds awesome,” he said. “More and more music is pushed towards the digital side of things, and the actual hard-copy article is lost in the mix.”

Paul Knapp, guitarist for local band A Summer Better Than Yours, agreed and said music fans appreciate vinyl’s warm, real sound.

“I think that vinyl is really unique, not to mention the fans that actually go the extra step to purchase your album on such a classic format will almost undoubtedly listen to it in its entirety,” he said. “I don’t know a single person who will buy new vinyl just to let it sit and collect dust.”

Tarlowski said the people he knows who bought his band’s album on vinyl are collectors and audiophiles who enjoy the large artwork on the album sleeves.

“They like having their music in their hands as a real copy of the album, not just a track on iTunes, although I would imagine most people who buy records transfer those albums to their computers too,” he said.

A Summer Better Than Yours

One bonus to albums being pressed to vinyl now is that most also include a digital download of the album so listeners can also have the music on their computers, iPods or mp3 players.

Tarlowski is also the guitarist and vocalist for local ska band, The Heat Machine who had its full-length album, “No Coast Dance Party,” pressed to vinyl because it’s the medium their record label chose. The album also came with a digital download.

“The Heat Machine sold lots of vinyl on tour because we were able to sell them to kids without record players,” he said. “We sold the album for $10. The kids got the vinyl to keep or pin on their bedroom wall and the download for their computer. People who had record players and were collectors bought the vinyl and were happy with that. It worked out well.”

One downside for bands that want to put out their album on vinyl is cost. Tarlowski said it’s expensive and heavy, making shipping costs very pricey. In fact, 1,000 CDs in full-color jackets run about $700, while only 500 full-length 12” records run about $2,500.

He said there is a very thin line financially between CDs and vinyl to make it worthwhile for a band.

Vinyl sales have steadily increased since 2007 and are expected to increase this year.

“From a band’s standpoint, an actual release needs to be either cheaper to do a larger volume (CDs) or a much smaller amount of hard copies for collectors and big time fans of the band,” he said. “If CDs cost 70 cents each to make, and a record is $5, you would make a much shorter run of the vinyl. Make 200 and hand number them. Then, when they are gone, they are gone, and you aren’t stuck with 500 CD’s that no one will buy.”

Since vinyl is such a collector’s item, Tarlowski said there will always be at least a small market for it especially because bands usually only press a limited number.

“Well, if you’re going to buy the hard copy of an album, and you are a die-hard music fan, CD’s just seem flimsy and puny,” he said. “Vinyl is more rare because it its more expensive to make. Lots of big artists who release an album on iTunes and CD may only make 500 records to sell. If you have one of those, you have one of 500. That’s pretty cool to a lot of people.”

According to Nielsen SoundScan, the entertainment industry’s leading data information system, vinyl LP sales have climbed considerably during the last four years and are estimated to have risen even farther this year.

Although album sales have dropped during the past five years, single track sales have soared.

Physical album sales (CDs, cassettes, etc.) were down 13 percent in 2010 and are predicted again to fall this year, and although whole album sales fell, track (singles) sales have continued to climb.

Vinyl is a medium that was first developed in the 1930s and remained popular into the early 1980s with the rise of the cassette tape. The records are an analog medium that consists of a flat disc with an inscribed, modulated spiral groove that starts on the outside and ends near the center of the disc, the opposite of a CD.

Vinyl records are classified by their diameter (“12-inch,” “10-inch” and “7-inch” are the most common), their rotational speed (“33 1/3” rpm, “78,” “45,” etc…) and their reproductive accuracy or fidelity (“Mono,” “Stereo,” etc…)

Although vinyl was a dying medium just five years ago, its resurgence has been a welcome one for musicians and collectors alike. With its warm sound and large cover art, it appears that vinyl still has a long life ahead of it.

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Credit-Hour Crunch

October 25, 2011
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Video and photos by Renee Pflughaupt, NewsNetNebraska



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UNL students take karaoke crown

October 19, 2011
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Midwest Acoustic Fest 2011

October 3, 2011
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Slideshow by Megan Mandel, NewsNetNebraska



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Band making the most of its summer

July 6, 2011
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Video by Max Olson, NewsNetNebraska



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